From 18 Owls: Edition of 50. All proceeds go towards helping Eman's family evacuate Gaza.
[Towards durational writing.] | What do you say? A Spontaneous Publication of RAD! Books
Two strangers | Academy of American Poets [pdf]
Invocations | Indefinite Space [image]
A one-sided phone conversation recorded as video; in a plain ponytail and no make-up we roll r’s deep as the ground [pdf] | A Mouth Holds Many Things: A De-Canon Hybrid Lit Collection
from Dread Poem | Tripwire [pdf]
I will tell an old story of my name | The Flow Chart Foundation’s Amtrak Poetry
Dusk | Dawn | The February 25 Society, Year 2 [pdf]
Come suono a me stessa come suono in voi?, translated by Giulia Ottavia Frattini; My Native Language Is Noise, translated by Maria Luce Cacciaguerra; Of leaving the language melancholia party early, translated by Giulia Ottavia Frattini and Francesca Fontanesi; pollice su strati di halo-halo spettralmente sulla mini seduta rosa, translated by Valentina Cipulla Callegarini and Giorgia Zaffanelli; Adagiarsi nei grembi linguistici, translated by Giulia Ottavia Frattini | le poesie sono come caramelle dolci e appiccicose sogette a cambiamenti: nuovi poeti newyorkesi in traduzione +
uhá, ambetel sa panaon natan | The Brooklyn Rail
anlong | exquisites vol. 2
A modified squat [01:14:20]; Germinal [01:27:50] | Bone Bouquet [pdf]
Traceable Relation Paradiso Reading Series broadside [pdf]
Thumb over the halo-halo layers ghostly over the seated pink mini, I will tell an old story of my name | The Margins [pdf]
Autohistoriography of Arrival to a River | Cleveland Review of Books [pdf]
Composition II (text + visual poem after Christina Quisumbing Ramilo’s Composition] | Ursula, Issue 8 [pdf]
Untitled | Not for Resale; Nominated for a Pushcart Prize
ROOM TONE | Belladonna Chaplet #297
Winter Room; Heavenly Hibiscus [01:04:00]; Fire [00:56:42]; Endangered [00:12:50] | Harp & Altar [pdfs 1, 2, 3, 4]
Time Study / Of the slowdown & DING-DING!; Desk (for DDD) / from Two strangers; I wasn’t expecting that (9 Apr 2020) / Arc of a moving vehicle like a spaceship; You can actually say something (2011-2018) / A one-sided phone conversation recorded as video | Bæst: a journal of queer forms & affects [pdf]
from Taos & Tucson Poems, from a traceable relation | A Perfect Vacuum [pdf]
Voice Noise: a multichannel English (Philippines)-Filipino language Google Doc speech-to-text transcription of recorded calls + training videos. a collaboration with Jesse Chun | Juf [pdf]
“Composition II,” Ursula Issue 8, 2023.
All the Pinays are straight, all the queers are Pinoy, but some of us | The Filipinx Edition: Prose and Poetry, curated by Irene Soriano Saxon| The OutMuseum
A dense field of sound, a relaxation, a reading of space; Cuts and clips of vocals into rhythmic scat; A melody contour repeats precisely into | West Branch [pdf]
harrow the islands (video poem) | F I V E S: A Companion to Denver Quarterly Best-of-the-Net Nomination [pdf, image]
A setting of sun tones says | Foglifter [pdf]
Poem as Abstraction of My Voice | Anamorphoseis 2 [pdf]
a feeling has passed before a charted present | Poem-a-Day, Academy of American Poets [pdf] Entropy Best of 2020-2021 [pdf]
All the Pinays are straight, all the queers are Pinoy, but some of us | Q&A: Voices from Queer Asian North America
: rock // neverended : | Poetry Society of America [pdf]
“prageeta,” “ted,” “p.” | Blazing Stadium
from : pours pour : [see the moon], from : pours pour : [wall small bone] | Sinister Wisdom
pangasinan chora, From Occult Docupoesis #1 | Apogee [pdf] Best-of-the-Net Nomination
Ambient Mom | Pleiades [pdf]
rouged boar | Marble Hill Camera Club Zine [pdf]
I marry myself to a mountain tonight, the one I’m on | dusie [pdf]
tina d, susan h, presentación, Painting No 1, prolegomena | Bæst: a journal of queer forms & affects [pdf]
Relative meaning (Smith, Whitten, Bradford, Nengudi), Ditches of Santa Cruz, polarities | The Tiny [pdf]
ANTI-MANIFESTO, APPROPRIATE FAILURES | Blazing Stadium [pdf]
Four poems from AMBIENT MOM | TLDTD: a biennial journal for Filipino poets and poetry [pdf]
irrelevant illegible, why letter ellipses, Dear Archon, Dear Archon | Folder [pdf]
quiet air & immobile people | Bitter Melon: Stay at Home Diary
Two lions in the impossible, a little museum, dark, Of hand sanitizer (with Dryden), S has a dream, amber | Can We Have Our Ball Back?
circus tent domed in new age, at the Radnóti | Aster(ix) [pdf]
a sacred heart is not immaculate | Clarity Haynes: Altar-ed Bodies Denny Dimin/ New Discretions Exhibition Chapbook [pdf]
Dear Archon [birthplace] | wildness [pdf]
low cloud | I Scream Social Anthology [pdf]
stitch | The Brooklyn Rail [pdf]
2pm Pavarotti doc 107F, french for horsehead anarchy | mid hriff
dyke line break | Entropy [pdf]
from The Sky Forever [reenact reincarnate the earthquake], from The Sky Forever [to say your land vanished] | Hayden’s Ferry Review | Reprinted in Academy of American Poets [pdfs 1, 2]
The Sky Forever | OUTsider Festival performance with Andee Scott (audio tracks)
Untitled | Guest
from (once) teeth bones coral, from (once) teeth bones coral, All the Pinays are straight, all the queers are Pinoy, but some of us | Conflict of Interest [pdf]
Archive | Counter-Desecration: A Glossary for Writing Within the Anthropocene | Reprinted in What Nature? Boston Review Forum VI [pdf]
But I wanted to tell you something | What Do We Do Together?
Song | “Trees” playlist, Verse
Lungless and the Petiole at the Barton Springs Run-Off | Poetry Northwest [pdf]
from Outside of magic and metaphor | HOLD: A Journal [pdf]
disarmament, four-legged forecast for riverine low country, Never shown loyalty (Gemini super new moon), Poem about cooking then one about a dream, Song, Song, Song | Entropy [pdf]
Dearest, I'm Writing from Inside This Place to You Who Are in a Totally Different Place | Texas Review [pdf]
I was born for a stricter regime, [untitled] | Puñeta: Pilipinx Political Poetry [review; pdf]
Spectacular indwelling | Galatea Resurrects [pdf]
Where is my emotion in this landscape, What do you remember about stillness | Nat. Brut: Queer/ Trans/ Asian Folio [pdf]
From “Poem as Abstraction of My Voice” In Anamorphoseis Issue II: In Waves
Are you the moment the source of information? | Austin Public Library National Poetry Month
Because You Need to Feel | Elderly’s Not My Country
a place gets boring and the dream world starts, mine, When they appear to be on break and everything’s casual | Marsh Hawk Review [pdf]
Weird Little Girl | smoking glue gun [pdf]
Citizen | La Vague Journal [pdf]
Essay in Six Parts | Matter [pdf] Best-of-the-Net Nomination
Untitled | ATTN
Pancake Face (Friday September 13 11:48am) | As Us [pdf]
About Errant Drift, Monolinguist’s Trick, The Book of Ant Bites | Dismantle
No Soothing Mother, Ornamental, Circle of Anthropologists | Drunken Boat/ Open City AAWW [pdf]
I Was a Twelve-Year-Old Pervert | Best of Kore Press
I Was a Seven-Year-Old Plagiarist | Everyday Genius [pdf]
Language Revival | Fact-Simile [pdf]
Keen | Spiral Orb [pdf]
I Was a Twenty-Four-Old Separatist | Horse Less Review [pdf]
I was born for a stricter regime | Esque: REVOLUTIONESQUE
translation | Lantern Review [pdf; screenshot]
The Water Cure Helped, A Love Letter; The Book of Ant Bites, Hesitate | Lingerpost
Cassandra Predicts This Fall's Recreational Torture of Gay Men | Bone Bouquet [pdf] Pushcart Prize Nomination [pdf]
Instructions on travel in the new empire, Koreans eat weird food too, How I became femme | MiPOesias
Nuno | Make/shift: Feminisms in Motion
Material History, Taysha-Teja-Nueva Filipinas | Mythium
Kundiman for Melissa |{m}aganda Magazine [pdf]